";s:4:"text";s:8872:" The Life and Times of a Memory Technology, The Noisy Renaissance: Sound, Architecture, and Florentine Urban Life, Imagining the Americas in Medici Florence, Zooming In: Histories of Photography in China, Un/Translatables: New Maps for Germanic Literatures, Poetry and the Thought of Song in Nineteenth-Century Britain, Image Science: Iconology, Visual Culture, and Media Aesthetics, Antiquity, Theatre, and the Painting of Henry Fuseli, The Art of the Yellow Springs: Understanding Chinese Tombs, Aesthetics of Ugliness: A Critical Edition, Making Modern Japanese-Style Painting: Kano Hogai and the Search for Images, The Freedom Principle: Experiments in Art and Music, 1965 to Now, The Murals of Cacaxtla: The Power of Painting in Ancient Central Mexico, The Art of Conversion: Christian Visual Culture in the Kingdom of Kongo, En Guerre: French Illustrators and World War I, Building a Sacred Mountain: The Buddhist Architecture of China's Mount Wutai, Italian Master Drawings from the Princeton University Art Museum, The Routledge Companion to Music and Visual Culture, Kunst und Archäologie der griechischen Welt: Von den Anfängen bis zum Hellenismus, The Spectacle of the Late Maya Court: Reflections on the Murals of Bonampak, The Emergence of the Classical Style in Greek Sculpture, Capital Culture : J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience, Fugitive Objects: Sculpture and Literature in the German Nineteenth Century, The Way of the Shovel: On the Archaeological Imaginary in Art, Awash in Color: French and Japanese Prints, Art & Archaeology of the Greek World: A New History, c. 2500 - c. 150 BCE, Seeing Madness, Insanity, Media, and Visual Culture, A Story of Ruins: Presence and Absence in Chinese Art and Visual Culture, Translating Truth: Ambitious Images and Religious Knowledge in Late Medieval France and England, The Tragic Muse: Art and Emotion, 1700-1900, Wonder, Image, & Cosmos in Medieval Islam, Cloning Terror: the War of Images 9/11 to the Present, Life, Death and Representation: Some New Work on Roman Sarcophagi, A Field Guide to a New Metafield: Bridging the Humanities-Neurosciences Divide. The University of Chicago Press, Editor with Michel Meyer, Cambridge University Press, with Mary Miller, University of Texas Press, Editor with Robert Bird, Christopher Heuer, Tumelo Mosaka and Stephanie Smith, The New Press, Edited with Barbara Schellewald. It is likely that the Temple of Serapis was rebuilt by the Severans. University of Chicago Press, Edited with Robert Cozzolino, University of Chicago Press, with Sarah Dunn, San Francisco: Applied Research and Design AR+D Publishing, (eds. In this period began the process that ended in the rupture between Roman art and that of Late Antiquity, the watershed between classical art and that of Byzantium and the Middle Ages. Monumental sarcophagi are also very representative of the artistic methods in use during the period. Department of Greek and Roman Art, The Metropolitan Museum of Art October 2000 The Severan dynasty comprised the relatively short reigns of Septimius Severus (193–211 A.D.), Caracalla (r. 211–217 A.D.), Macrinus (217–218 A.D.), Elagabalus (218–222 A.D.), and Alexander Severus (222–235 A.D.). Chicago, IL 60637, Facebook This volume offers the first wide-ranging and authoritative survey of the culture of this fascinating period when the background of Rome's rulers was for the first time non-Italian. Cologne: Böhlau, Editor with Françoise Meltzer, University of Chicago Press, With Jan Baetens & Véronique Plesch, Rodopi, With Véronique Plesch & Charlotte Schoell-Glass, Rodopi, with Stephen Houston and colleagues, University of Texas Press, Edited with Ian Berry, Vivian Patterson, & Mark Reinhardt, MIT Press, Kunsthalle Fridericianum Kassel, Stedelijk Museum Sittard, with Simon Coleman, British Museum Press and Harvard University Press, co-authored with Robin Sheets and William Veeder, 3 vols., Garland, 1983, and The University of Chicago Press, "Zhang Peili: Record.